Fiddler on the Roof was a highly successful 1964
Broadway production and in 1971 came out as a very popular award-winning
musical-comedy drama film. I thought it
was a great film. My title comes from a
song in the play sung by Tevye, the Jewish milkman husband of Golde and the
father of five girls who lived in a poor farming village of Ukraine at the
beginning of the last century.
Tevye sings
this song as he considers his 25 year marriage to his arranged-marriage wife,
and asks her the question, “Do you love me?”
As Jewish cultural traditions are being challenged and turned
upside-down by events in society, his three oldest daughters are influenced and
wish to marry for love, not having their marriages arranged by a matchmaker. So too does the staunch traditionalist Tevye
also begin to think about love as a legitimate reason for and component of
marriage.
I have read
and reread an excellent book by C. S. Lewis titled The Four Loves. In it he
treats affection (storge), friendship (philia), eros (the natural love of a man
for a woman and vice versa), and Charity (divine love). They are all of a piece and they all have a
progression. It has greatly helped me to
understand the nature of love—how the three “natural loves,” affection,
friendship, and eros or what we call ‘being in love’ can and ultimately must be
subsumed and magnified if done right into the human version of Charity or
Divine Love. Our three “need loves,” as
Lewis calls them, can be transformed into “gift love,” the kind of love God has
for us; there is a higher love.
To develop
it, there is an art to love. There is
also a law of love. That is to say,
there are attitudes, appreciations, expectations, and expressions or behaviors
that show this most powerful of all human emotions in its finest light and
which can ultimately refine a person to his or her highest potential. But know,
also, that love, or a deprivation of it, can bring any person to the greatest
extremes of joy or down to the depths of despair.
How is it
done? As Jesus says, “As I have loved
you, love one another.” It is done by looking outward and upward, not inward. As we better understand the nature,
requirements, cautions, duties, and rewards and conditions of love we can
better live a life blessed by giving and receiving love—which, I submit, is
more important to a rich and happy life than anything I can imagine. But there is an order to it: a mature love
gives first, and then finds, happily, that he receives.
Yes, Tevye’s
marriage relationship with Golde has been functional and utilitarian—she has
cared for him by cooking his meals, washing his clothes, keeping his house, and
raising his children. And he has
faithfully provided for her and their children the necessities of life as well
as protection and security. But it has
become prosaic. And he knows inside himself that he wishes and senses it could
be more—her for him and him for her. Like all people, Tevye needs the
reassurance and comfort that a happy acknowledgement brings. ‘Need love’ in
humans never goes away—at least not until it is transformed. In the meantime, it needs to be fed.
We know there
is a geniality to love—a mutual gratification and happiness at being in each
other’s presence that the sharing of common values provides. But it comes not
by “seeking our own;” it comes by giving—“as I have loved you.” Love is the
provision for the other the knowledge that they matter and that they are the
provider (at least as far as another person can provide) for you as well. Love goes both ways.
The question
is not to our earthly love, “Do you love me?”, but “Do I love you?”—meaning, do
I love God first--the way He loves?, and then, if I do, I will love you even more, and you will
know of my love.
1 comment:
Now that song will be stuck in my head all day. Thanks Ron ;)
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